
As an avowed eco-feminist, Faith Wilding's work addresses the deterioration of the natural world in her lifetime, specifically in South America and her native Paraguay.
Wilding (born 1943 in Primavera, Paraguay) depicts symmetrical dualities: up and down, in and out, open and closed, evoking mystical, personal, and esoteric narratives. The works express interconnectedness and spiritual exuberance while exploring the visionary iconology of the energy and force of growth.
Wilding's practice emerged at the forefront of Feminist Art in Los Angeles during the late 1960s and 1970s. For the last 50 years, Wilding has lived as an activist and artist fiercely committed to eco-feminism. As a student at Fresno State, Wilding and fellow artist-activist Suzanne Lacy organized consciousness-raising groups and participated in the formation of the first Feminist Art Program. She subsequently attended CalArts, where she was the graduate teaching assistant for the Feminist Art Program.
The Feminist Art Program produced "Womanhouse," an art installation and performance space focusing on collaborative and feminist ideas. Fueled by the explosion of female-focused work and research, "Womanhouse" sought to move beyond the predominantly male-centric art history. Wilding's work continues to interrogate societal narratives, challenging the status quo in art-making, life, and politics.
Wilding has exhibited extensively worldwide since the late 1960s. A 2014 retrospective of Wilding's work, "Fearful Symmetries," traveled to five venues across the United States. Wilding's work was also included in the seminal survey "WACK! Art and the Feminist Revolution," organized by Cornelia Butler, which traveled from the Museum of Contemporary Art (Los Angeles) to the National Museum of Women in the Arts (Washington, D.C.), P.S.1 Contemporary Art Center (Long Island City), and the Vancouver Art Gallery.
2022 marked the fiftieth anniversary of "Womanhouse," an influential Los Angeles exhibition, installation, and performance space organized through the "CalArts Feminist Art Program." At "Womanhouse," Wilding's "Womb Room" fiber installation and performance "Waiting" are some of the best-known and highly influential works of the 1970s Feminist Art Movement. Wilding's book "By Our Own Hands" catalogs this important era of experimentation and collaboration that defined West Coast Feminist art during the early 1970s.

2022 marked the fiftieth anniversary of "Womanhouse," an influential Los Angeles exhibition, installation, and performance space organized through the "CalArts Feminist Art Program." At "Womanhouse," Wilding's "Womb Room" fiber installation and performance "Waiting" are some of the best-known and highly influential works of the 1970s Feminist Art Movement. Wilding's book "By Our Own Hands" catalogs this important era of experimentation and collaboration that defined West Coast Feminist art during the early 1970s.

Exhibition History
Wilding has exhibited at museums and international exhibitions such as the Whitney Museum of American Art, New York, NY; the Hammer Museum, Los Angeles, CA; the Drawing Center, New York, NY; documenta X, Kassel, Germany; the Institute of Contemporary Art, Boston, MA; the Reina Sofía Museum, Madrid, Spain; the Centre for Contemporary Arts, Glasgow, Scotland; and the Bronx Museum of the Arts, New York, NY. Wilding is Professor Emerita of Performance Art at the School of the Art Institute of Chicago and has taught at Cooper Union, New York University, the Woman's Building in Los Angeles, and the San Francisco Art Institute.
While teaching at Carnegie Mellon University in the 1990s and 2000s she was a co-founder of the cyberfeminist collective "subRosa." Wilding was awarded a Guggenheim Fellowship in 2009 and has been the recipient of numerous grants for the past five decades. In 2014, she was awarded the prestigious Women's Caucus for Art Lifetime Achievement Award. Her publications include "By Our Own Hands: The Woman Artist's Movement, Southern California, 1970–1976" (Double X, 1977) and "Domain Errors! Cyberfeminist Practices" (Autonomedia, 2003). Wilding lives and works in Rhode Island.























Selected Press
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Absurdist Dystopia and Ancestral Ritual: The Best of Art Basel's Unlimited Sector in 2025 Observer (PDF) (opens in new tab)
Observer
Elisa Carollo, June 2025 -
Review of Faith Wilding | "Inside, outside, alive in the shell" Artforum (PDF) (opens in new tab)
Artforum
Daniel Belasco, May 2025 -
Faith Wilding at Anat Ebgi, New York Art Viewer (PDF) (opens in new tab)
Art Viewer
March 2025 -
Ecofeminist Interleaving: Faith Wilding at Anat Ebgi Impulse Magazine (PDF) (opens in new tab)
Impulse Magazine
Nicole Kaack, February 2025 -
Faith Wilding on "Beauty as a Terrorist Tactic" Art in America (PDF) (opens in new tab)
Art in America
Emily Watlington, February 2025 -
Wait No More: Faith Wilding's retrospective at Anat Ebgi New York honors the pioneering artist's 50 years of dedication to life, women, and nature Family Style (PDF) (opens in new tab)
Family Style
Sahir Ahmed, January 2025 -
Solace and Spirituality: A Review of "Grace Under Fire" at the Shepherd in Detroit, Michigan Newcity Art (PDF) (opens in new tab)
Newcity Art
K.A. Letts, October 2024 -
The Art Show Highlights Masters — and Artists Under the Radar The New York Times (PDF) (opens in new tab)
The New York Times
Martha Schwendener, November 2023 -
The 10 Best Booths at ADAA: The Art Show 2023 Artsy (PDF) (opens in new tab)
Artsy
Maxwell Rabb, November 2023 -
Bortolami opens an exhibition of works by Faith Wilding Artdaily (PDF) (opens in new tab)
Artdaily
September 2022 -
Faith Wilding at Anat Ebgi Contemporary Art Review Los Angeles (Carla) (PDF) (opens in new tab)
Contemporary Art Review Los Angeles (Carla)
Rachel Elizabeth Jones, October 2021 -
Faith Wilding, foremother of feminist art, draws on activist histories in new shows at Brown, Tufts universities The Boston Globe (PDF) (opens in new tab)
The Boston Globe
Cate McQuaid, September 2021 -
5 Artists to Follow if You Like Georgia O'Keeffe Artsy (PDF) (opens in new tab)
Artsy
Juliana Lopez, October 2020 -
In the Beginning, Everything Was Green: Embodiment, Ritual, and Cyberfeminism Artillery (PDF) (opens in new tab)
Artillery
Faith Wilding, August 2019 -
Faith Wilding at Anat Ebgi Artforum (PDF) (opens in new tab)
Artforum
Andy Campbell, May 2019 -
The sensual and the spiritual collide in the paintings of Faith Wilding Los Angeles Times (PDF) (opens in new tab)
Los Angeles Times
Leah Ollman, February 2019 -
Shannon Stratton: On Feminism, Faith Wilding and CAA Columbia College Chicago (PDF) (opens in new tab)
Columbia College Chicago
La Keisha Leek, February 2019 -
Ecofeminism: Faith Wilding Interviewed BOMB Magazine (PDF) (opens in new tab)
BOMB Magazine
Heidi Norton, February 2018 -
Faith Wilding: Fearful Symmetries at the Miller Gallery Pittsburgh City Paper (PDF) (opens in new tab)
Pittsburgh City Paper
Bill O'Driscoll, February 2018 -
Faith Wilding: Natural Parables Art in America (PDF) (opens in new tab)
Art in America
Lauren DeLand, February 2018 -
Feminist Artist Compares '70s Movement to #metoo, "Time's Up" Campaigns Carnegie Mellon University (PDF) (opens in new tab)
Carnegie Mellon University
Pam Wigley, January 2018 -
The feminist energies of William Blake and Faith Wilding take over Chicago Chicago Tribune (PDF) (opens in new tab)
Chicago Tribune
KT Hawbaker, December 2017 -
When Indigenous Politics and Environmental Catastrophe Collide: A Review of Faith Wilding at Western Exhibitions Newcity Art (PDF) (opens in new tab)
Newcity Art
Luke Fidler, December 2017 -
See: Faith Wilding's Feminist Mutants Take on Monsanto Artnet News (PDF) (opens in new tab)
Artnet News
November 2017 -
The radical nature of Faith Wilding's fantastical watercolors Chicago Reader (PDF) (opens in new tab)
Chicago Reader
Kerry Cardoza, November 2017 -
A Brief History of Cyberfeminism Artsy (PDF) (opens in new tab)
Artsy
Izabella Scott, October 2016 -
Faith Wilding: Fearful Symmetries at UHCL Art Gallery Glasstire (PDF) (opens in new tab)
Glasstire
Robert Boyd, September 2016 -
SmartMom Rebooted: A Cyberfeminist Art Collective Reflects on its Earliest Work of Internet Art Studies in the Maternal (PDF) (opens in new tab)
Studies in the Maternal
Faith Wilding, Hyla Willis, January 2016 -
A feminist artist, revisited: Faith Wilding at Armory Center for the Arts Los Angeles Times (PDF) (opens in new tab)
Los Angeles Times
Sharon Mizota, December 2015 -
Faith Wilding: Lingua Ignota Contemporary Art Review Los Angeles (Carla) (PDF) (opens in new tab)
Contemporary Art Review Los Angeles (Carla)
Benjamin Lord, November 2015 -
Critic's Pick: Faith Wilding Artforum (PDF) (opens in new tab)
Artforum
Travis Diehl, September 2015 -
Faith Wilding: 2015 Grantee Art Matters (PDF) (opens in new tab)
Art Matters
June 2015 -
Work by Faith Wilding at Clough-Hanson Memphis Flyer (PDF) (opens in new tab)
Memphis Flyer
Eileen Townsend, September 2014 -
Faith Wilding: Threewalls Visual Art Source (PDF) (opens in new tab)
Visual Art Source
Robin Dluzen, February 2014 -
Faith Wilding on her life and work Artforum (PDF) (opens in new tab)
Artforum
Jason Foumberg, February 2014 -
Faith Wilding: Threewalls Newcity Art (PDF) (opens in new tab)
Newcity Art
Jason Foumberg, January 2014 -
Waiting for Faith Wilding on the Internet Hyperallergic (PDF) (opens in new tab)
Hyperallergic
Alicia Eler, January 2014 -
Perspectives on a Brave New World and Some Familiar Ones The New York Times (PDF) (opens in new tab)
The New York Times
Helen A. Harrison, November 1998 -
Women's Work Is (Sometimes) Done The New York Times (PDF) (opens in new tab)
The New York Times
M.G. Lord, February 1995
Image Copyrights and Photo Credits
- fig.001 © Faith Wilding
Photo credit: Lloyd Hamrol - fig.002/003 © Faith Wilding
- fig.004/005 © Faith Wilding
Photo credit: Raimund Zakowski - fig.006 © Faith Wilding and Hammer Museum, Los Angeles
Photo credit: Charles White - fig.007/008/009 © Faith Wilding
- fig.010/011 © Faith Wilding and Bortolami, New York
Photo credit: Guang Xu - fig.012/013 © Faith Wilding and Carnegie Mellon University, Pittsburgh
Photo credit: Tom Little - fig.014/015 © Faith Wilding and Anat Ebgi, Los Angeles
Photo credit: Matthew Kroening - fig.016 © Faith Wilding and Armory Center for the Arts, Pasadena
- fig.017/018 © Faith Wilding and Library Street Collective, Detroit
- fig.019 © Faith Wilding and Anat Ebgi, New York
Photo credit: New Document - fig.020/021 © Faith Wilding and Anat Ebgi, New York
Photo credit: Mason Kuehler - fig.022 © Faith Wilding
- fig.023 © Faith Wilding and Haus der Kunst, Munich
Photo credit: Agostino Osio - fig.024 © Faith Wilding and Anat Ebgi, Los Angeles / New York
Courtesy of Art Basel - fig.025/026 © Faith Wilding