Faith Wilding

Faith Wilding seated on a platform performing Waiting at Womanhouse, Los Angeles, 1972
fig.001 — Faith Wilding performing "Waiting" at "Womanhouse," Los Angeles, California, 1972

As an avowed eco-feminist, Faith Wilding's work addresses the deterioration of the natural world in her lifetime, specifically in South America and her native Paraguay.

Wilding (born 1943 in Primavera, Paraguay) depicts symmetrical dualities: up and down, in and out, open and closed, evoking mystical, personal, and esoteric narratives. The works express interconnectedness and spiritual exuberance while exploring the visionary iconology of the energy and force of growth.

Wilding's practice emerged at the forefront of Feminist Art in Los Angeles during the late 1960s and 1970s. For the last 50 years, Wilding has lived as an activist and artist fiercely committed to eco-feminism. As a student at Fresno State, Wilding and fellow artist-activist Suzanne Lacy organized consciousness-raising groups and participated in the formation of the first Feminist Art Program. She subsequently attended CalArts, where she was the graduate teaching assistant for the Feminist Art Program.

The Feminist Art Program produced "Womanhouse," an art installation and performance space focusing on collaborative and feminist ideas. Fueled by the explosion of female-focused work and research, "Womanhouse" sought to move beyond the predominantly male-centric art history. Wilding's work continues to interrogate societal narratives, challenging the status quo in art-making, life, and politics.

Wilding has exhibited extensively worldwide since the late 1960s. A 2014 retrospective of Wilding's work, "Fearful Symmetries," traveled to five venues across the United States. Wilding's work was also included in the seminal survey "WACK! Art and the Feminist Revolution," organized by Cornelia Butler, which traveled from the Museum of Contemporary Art (Los Angeles) to the National Museum of Women in the Arts (Washington, D.C.), P.S.1 Contemporary Art Center (Long Island City), and the Vancouver Art Gallery.

2022 marked the fiftieth anniversary of "Womanhouse," an influential Los Angeles exhibition, installation, and performance space organized through the "CalArts Feminist Art Program." At "Womanhouse," Wilding's "Womb Room" fiber installation and performance "Waiting" are some of the best-known and highly influential works of the 1970s Feminist Art Movement. Wilding's book "By Our Own Hands" catalogs this important era of experimentation and collaboration that defined West Coast Feminist art during the early 1970s.

fig.002 — Faith Wilding in her studio working on "Natural Parables," 1978
Faith Wilding painting Natural Parables on her studio wall, 1978

2022 marked the fiftieth anniversary of "Womanhouse," an influential Los Angeles exhibition, installation, and performance space organized through the "CalArts Feminist Art Program." At "Womanhouse," Wilding's "Womb Room" fiber installation and performance "Waiting" are some of the best-known and highly influential works of the 1970s Feminist Art Movement. Wilding's book "By Our Own Hands" catalogs this important era of experimentation and collaboration that defined West Coast Feminist art during the early 1970s.

Faith Wilding beside her drawings in Arrows of Desire at Brown University, 2021
fig.003 — Faith Wilding featured in "Arrows of Desire," David Winton Bell Gallery, Brown University, Providence, Rhode Island, 2021

Exhibition History

Wilding has exhibited at museums and international exhibitions such as the Whitney Museum of American Art, New York, NY; the Hammer Museum, Los Angeles, CA; the Drawing Center, New York, NY; documenta X, Kassel, Germany; the Institute of Contemporary Art, Boston, MA; the Reina Sofía Museum, Madrid, Spain; the Centre for Contemporary Arts, Glasgow, Scotland; and the Bronx Museum of the Arts, New York, NY. Wilding is Professor Emerita of Performance Art at the School of the Art Institute of Chicago and has taught at Cooper Union, New York University, the Woman's Building in Los Angeles, and the San Francisco Art Institute.

While teaching at Carnegie Mellon University in the 1990s and 2000s she was a co-founder of the cyberfeminist collective "subRosa." Wilding was awarded a Guggenheim Fellowship in 2009 and has been the recipient of numerous grants for the past five decades. In 2014, she was awarded the prestigious Women's Caucus for Art Lifetime Achievement Award. Her publications include "By Our Own Hands: The Woman Artist's Movement, Southern California, 1970–1976" (Double X, 1977) and "Domain Errors! Cyberfeminist Practices" (Autonomedia, 2003). Wilding lives and works in Rhode Island.

fig.004/005 — Faith Wilding featured in "Where Art Might Happen: The Early Years of CalArts," Kestner Gesellschaft, Hannover, 2019
Installation view of Where Art Might Happen at Kestner Gesellschaft, Hannover, with Faith Wilding's shaped leaf canvases
Faith Wilding's shaped leaf canvas in Where Art Might Happen, Kestner Gesellschaft, Hannover
Gallery view of Ecstatic at the Hammer Museum, Los Angeles, with Faith Wilding's watercolors
fig.006 — Faith Wilding featured in "Ecstatic," Hammer Museum, Los Angeles, California, 2023
Faith Wilding's works in Condo at Galeria Jaqueline Martins, São Paulo
Second installation view of Condo at Galeria Jaqueline Martins, São Paulo
fig.007/008 — Faith Wilding featured in "Condo," Galeria Jaqueline Martins, São Paulo, 2020
Portrait of Faith Wilding, 1977
fig.009 — Faith Wilding, 1977
Faith Wilding's leaf paintings in Being Like Leaves at Bortolami, New York
Second view of Being Like Leaves at Bortolami, New York
fig.010/011 — "Faith Wilding: Being like leaves," Bortolami, New York, 2022
Fearful Symmetries retrospective at the Miller Gallery, Carnegie Mellon University
Second view of Fearful Symmetries at the Miller Gallery, Carnegie Mellon University
fig.012/013 — "Faith Wilding: Fearful Symmetries," curated by Shannon Stratton, Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania, 2018
Faith Wilding's work in Womanhouse at Anat Ebgi, Los Angeles
Second view of Womanhouse at Anat Ebgi, Los Angeles
fig.014/015 — Faith Wilding featured in "Womanhouse," Anat Ebgi, Los Angeles, California, 2022
Fearful Symmetries at the Armory Center for the Arts, Pasadena
fig.016 — "Faith Wilding: Fearful Symmetries," Armory Center for the Arts, Pasadena, California, 2015–2016
Faith Wilding's watercolors in Grace Under Fire at The Shepherd, Detroit
Wide view of Grace Under Fire at The Shepherd, Detroit
fig.017/018 — Faith Wilding featured in "Grace Under Fire," Library Street Collective at The Shepherd, Detroit, Michigan, 2024–2025
Installation view of Inside, Outside, Alive in the Shell at Anat Ebgi, New York
fig.019 — "Faith Wilding: Inside, outside, alive in the shell," Anat Ebgi, New York, 2025
Detail spread from Faith Wilding's Hildegard Book, 1983
Cover of Faith Wilding's Hildegard Book, 1983
fig.020/021 — "Faith Wilding: Inside, outside, alive in the shell," Anat Ebgi, New York, 2025
Crocheted Environment (Womb Room) installed at Womanhouse, Los Angeles, 1972
fig.022 — Faith Wilding, "Crocheted Environment," installation view from "Womanhouse," Los Angeles, California, 1972
Crocheted Environment reinstalled in Inside Other Spaces at Haus der Kunst, Munich
fig.023 — Faith Wilding, "Crocheted Environment," installation view from "Inside Other Spaces. Environments by Women Artists 1956–1976," Haus der Kunst, Munich, 2023–2024
Natural Parables presented by Anat Ebgi in the Art Basel Unlimited sector, 2025
fig.024 — Faith Wilding's "Natural Parables," presented by Anat Ebgi, Art Basel Unlimited sector, 2025
Invitation to a Burning at the Woman's Building, Los Angeles, 1980
Second view of Invitation to a Burning at the Woman's Building, Los Angeles, 1980
fig.025/026 — Faith Wilding, "Invitation to a Burning" (installation/performance), Woman's Building, Los Angeles, California, 1980

Selected Press

Image Copyrights and Photo Credits

  • fig.001 © Faith Wilding
    Photo credit: Lloyd Hamrol
  • fig.002/003 © Faith Wilding
  • fig.004/005 © Faith Wilding
    Photo credit: Raimund Zakowski
  • fig.006 © Faith Wilding and Hammer Museum, Los Angeles
    Photo credit: Charles White
  • fig.007/008/009 © Faith Wilding
  • fig.010/011 © Faith Wilding and Bortolami, New York
    Photo credit: Guang Xu
  • fig.012/013 © Faith Wilding and Carnegie Mellon University, Pittsburgh
    Photo credit: Tom Little
  • fig.014/015 © Faith Wilding and Anat Ebgi, Los Angeles
    Photo credit: Matthew Kroening
  • fig.016 © Faith Wilding and Armory Center for the Arts, Pasadena
  • fig.017/018 © Faith Wilding and Library Street Collective, Detroit
  • fig.019 © Faith Wilding and Anat Ebgi, New York
    Photo credit: New Document
  • fig.020/021 © Faith Wilding and Anat Ebgi, New York
    Photo credit: Mason Kuehler
  • fig.022 © Faith Wilding
  • fig.023 © Faith Wilding and Haus der Kunst, Munich
    Photo credit: Agostino Osio
  • fig.024 © Faith Wilding and Anat Ebgi, Los Angeles / New York
    Courtesy of Art Basel
  • fig.025/026 © Faith Wilding